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    <title>Open Office for Words</title>
    <link>http://deirdremdonoghue.wordpress.com</link>
    <description>Artist talks</description>
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    <copyright>Deirdre M. Donoghue 2009</copyright>
    <managingEditor>dmdvisuals@gmail.com</managingEditor>
    <pubDate>Sun, 02 May 2010 15:14:12 +0200</pubDate>
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      <title>Open Office for Words</title>
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    <itunes:author>Deirdre M. Donoghue</itunes:author>
    <itunes:summary>&apos;The Open Office for Words&apos; is a cross-disciplinary thematic reference library that comes into being for a few hours every first Sunday of the month. Its premise is to function as a momentary culmination and dissemination of (written) knowledge, made possible by the collective act of sharing ones texts whether part of a literary or theoretical tradition. The hopeful wish and intention of &apos;The Open Office For Words&apos; is to facilitate the pooling together of resources in a friendly, semi-intimate space and to create a situation that can allow for chance meetings and conversations between people across different disciplines interested in similar subjects, as well as quiet reading. On a regular basis, guest speakers are invited. These podcasts are from the collection of recordings made at The Open Office For Words. </itunes:summary>
    <itunes:keywords>art, philosophy, literature, presentation</itunes:keywords>
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      <itunes:name>Deirdre M. Donoghue</itunes:name>
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      <title>They Came To See Who Came</title>
      <description><![CDATA[Steve Rushton (Writer and Editor). In his talk They Came To See Who Came, Rushton talks about media events in relation to Who What Where When & How , his collaborative work together with Rod Dickinson. Describing contemporary media as a feedback loop, Rushton shares examples of various media events, illustrating the process of how these fold back onto themselves creating narratives of reality. "Simply through their performance, certain media events can have an effect in the world" Rushton says, demonstrating further how media masters reality.]]></description>
      <pubDate>Sun, 02 May 2010 15:13:26 +0200</pubDate>
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      <title>Multiplicities and Urban Textures</title>
      <description><![CDATA[Taina Rajanti (Doc. Pol. Sci, Head of Research at Pori School of Art and Media, Helsinki University of Art and Design) talks about Walter Benjamin and The Arcades Project now and in the last century.]]></description>
      <pubDate>Sat, 27 Feb 2010 23:10:10 +0100</pubDate>
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      <title>Sjoerd Westbroek</title>
      <description><![CDATA[Sjoerd Westbroek talks about his experience on taking part in an re-enactment of Allan Kaprow’s piece ‘The Birds’ at The Van Abbe Museum in 2007.]]></description>
      <pubDate>Fri, 29 May 2009 15:32:11 +0200</pubDate>
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      <title>A Leopard, Some Monkeys, Numerous Butterflies, Dozens of Peacocks and a Sublime Vista - Edward Clydesdale Thomson</title>
      <description><![CDATA[A Leopard, Some Monkeys, Numerous Butterflies, Dozens of Peacocks and a Sublime Vista, looks at the politics of representation by observing how different technologies of display affect our modes of looking and thus our visual experience/s. Together with Jonathan Crary's notions about modes of attention and Foucault's ideas on technologies of power, he brings us on a journey through the Rotterdam Zoo via three different modes of spectatorships; spectacular vision / social vision / fully immersive vision, as they are shaped for us by the surrounding architecture.]]></description>
      <pubDate>Sun, 01 Mar 2009 21:48:32 +0100</pubDate>
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      <title>The Look of Science - Ruth Legg</title>
      <description><![CDATA[The Look of Science looks at how images are used to display meaning and knowledge in different contexts, particularly within science. Her focus is on examining the ways in which an image, object or set of words is made to represent a range of ideas, system of beliefs or produce a collective mood. She will be presenting a work in progress, which addresses the way in which science, through-out history has used imagery to present difficult ideas.]]></description>
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      <title>The Ultimate Explanatory Representation of the Self - Priscila Fernandes</title>
      <description><![CDATA[“The Ultimate Explanatory Representation of the Self” (video performance realized exclusively for this talk) is the documentation of an absurd effort to find an ultimate representation for the notion of identity. The character in the video, in a didactic exercise of incongruous references from the Enlightenment individual to the Postmodern subject, explains the imagining of multiple personalities (or shared personalities) as reflective of a sense of the fragmented representation of identity in contemporary society.]]></description>
      <pubDate>Sun, 01 Mar 2009 21:49:02 +0100</pubDate>
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